In Timpanist, musician or technician?, Cloyd Duff made a case for playing timpani with an emphasis on tonal quality, rather than just focussing on the rhymthmical part of timpani playing.
Fifteen years on and Dustin O’Halloran’s ‘Lumière’ still sounds as fresh as
ever
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During the first decade of the twenty-first century, music took another
turn on its ambient axis, and ‘post-classical’ was born. Mark Prendergast
had alr...
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