Funny isn't it, the things you remember, and the things you forget. Somewhere back in secondary school music class, I took a test with the question: "Which percussion instrument zou eventueel gebruikt kunnen worden to play a melody?" The italic part roughly translates as might in some cases be usable. Puzzled by the phrasing, I answered "timpani". Surely, a tunable drum could in some cases be used for melodic purposes? As long as you had enough of them!
It got marked incorrect. The teacher, appropriately called Mr. Sedee, the Dutch pronunciation for CD, insisted that timpani weren't remotely usable for playing melodies; the only correct answer was a mallet instrument, and preferrably xylophone.
I can still remember how indignant I felt at the gross injustice of this. No matter how I tried to explain that a mallet instrument is always used for melodies, not eventueel, and that timpani had definite pitch, he wouldn't budge.
This memory resurfaced when I found this early 18th century timpani concerto by Georg Druschetzky.
Mr. Sedee, eat your heart out :-)
Phaedra Ensemble, ‘Slow Change’ (Reich, Þorvaldsdóttir, and Coltrane at
Kings Place London, March 20, 2026)
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(Phaedra Ensemble at Kings Place) Steve Reich’s ninetieth anniversary
celebrations continued apace this month with two concerts at London’s Kings
Place. ...
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