Funny isn't it, the things you remember, and the things you forget. Somewhere back in secondary school music class, I took a test with the question: "Which percussion instrument zou eventueel gebruikt kunnen worden to play a melody?" The italic part roughly translates as might in some cases be usable. Puzzled by the phrasing, I answered "timpani". Surely, a tunable drum could in some cases be used for melodic purposes? As long as you had enough of them!
It got marked incorrect. The teacher, appropriately called Mr. Sedee, the Dutch pronunciation for CD, insisted that timpani weren't remotely usable for playing melodies; the only correct answer was a mallet instrument, and preferrably xylophone.
I can still remember how indignant I felt at the gross injustice of this. No matter how I tried to explain that a mallet instrument is always used for melodies, not eventueel, and that timpani had definite pitch, he wouldn't budge.
This memory resurfaced when I found this early 18th century timpani concerto by Georg Druschetzky.
Mr. Sedee, eat your heart out :-)
Musica Sacra at Carnegie Hall (Concert Review)
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Music Sacra Classics for Christmas: Mozart, Bach, and Beethoven Musica
Sacra Chorus and Orchestra Kent Tritle, conductor Simone Dinnerstein, piano
Susanna ...
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